![]() Great sound is beyond labels.ġ) what is the purpose of making them self powered for studio applications? Buy the equipment for what it does, not what it is. If you find some monitors you like.go for it. As with all speakers you need to audition before buying. I know a number of people who love the Event Monitors and they are very affordable. I would think that most might not like the sound of studio monitors on a regular basis, but some might. Although there is one artist who was so in love with the sound of the ITunes "enhancements", that is how he mastered his last CD. I think that now that idea is pretty much out the window.at least I hope so. Yikes! Hardly a way most of us would think of a great way to know if a recording was mastered well. How many times have we heard that many artists would take their tapes out and make sure it sounded decent on a car stereo. His answer was that if he could get music to sound good on the NS-10s, it would sound good on anything. The great recording engineer, Al Schmitt, joked that his wife was the audiophile and that she asked him why he mixed music on the old Yamaha NS 10's that were nortiously bright sounding. Mastering engineers want to hear all the warts and problems in a recording to work to fix them (if they wish) prior to distribution. ![]() ![]() Some studio monitors can be nutty-priced just like audiophile products. It provides information on the movers and shakers in the engineering/recording industry and updates new products like Stereohile does for audiophiles. You might want to look at which is the electronic version of Mix magazine, a high end professional recording magazine that is a very interesting read.
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